“An Old White Cultural Institution”: Professor Denounces Romance as a Creation of White Supremacy
By: Jonathan Turley | May 19, 2024
In higher education, there is a virtual cottage industry of academics declaring everything from math to meritocracy to be forms of white supremacy and racism. Now, it appears romance will be added to the list. University of California Santa Barbara Black Studies Professor Sabrina Strings has written how romance promotes white supremacy and “global pigmentocracy.” In The End of Love: Racism, Sexism, and the Death of Romance, Strings recounts having “endured” her own bad relationships and maintains that “Romance is an old white cultural institution that began in the Middle Ages.” In an interview with The Current, Strings explains that “I am only one of the millions of Gen X-to-Gen Z women who have endured a seemingly endless array of miserable relationships with men.” In viewing romance through her own lens, Strings comes up with distinctly different views of literature and famous relationships. For example, many people have read the story of Lancelot and Guinevere, a story of forbidden love that introduced disharmony and disaster to King Arthur’s Round Table. It is a story of love and eventual betrayal. It is both irresistible and irrational. Many accounts show Lancelot rescuing Guinevere and, torn by their mutual loyalty to King Arthur, the couple finally succumbs to the inexorable pull of love to each other. It is a tragedy of love and loyalty that leaves everyone in ruin. Arthur would die of wounds in the later battles, Guinevere would die in a convent, and Lancelot would, according to some accounts, die as a hermit. It is a powerful tale of how love can overwhelm all other considerations and shatter every other bond.
That is not exactly how Professor Strings sees it. She says that the tale is really about how a man of lower status is trying to secure greater power and prestige by seducing a higher class European Christian woman: “Love is very much about generosity, but romance is very much about what you can get from somebody, especially if you’re a man who is social climbing.”
Professor Strings zeros in on the beauty and whiteness of Guinevere. She notes that the queen was viewed as irresistibly attractive and pale in complexion:
“We can easily recognize these features today as those representing the apex of whiteness, even though race did not exist at the time of Troyes’s writing. Nevertheless, to the extent that some of these representations occurred before the seventeenth century dawn of race science, they have what historians have called a ‘proto-racist’ bent. Indeed, scholars have shown that the preference for light skin, hair, and eyes existed prior to the advent of racism, and that these characteristics were co-opted by it and enlisted for the purpose of installing a global pigmentocracy.”
The “whiteness” could also simply reflect the racial makeup of the historical characters as opposed to any “global pigmentocracy.” Yet, according to Professor Strings, romance is about “women who are not peak white or are ‘insufficiently white’ are subject deservedly to deceit, manipulation, assault and rape.”
Professor Strings previously wrote a 2019 book about how “fatphobia” is rooted in racism.
In today’s academic environment, there often seems a rush to racialize common practices, customs, or terminology. Publications clamor for such articles and discovering another hidden racist element in society can bring academic accolades. However, others have already staked out many areas such as mathematics, astrophysics, statistics, meritocracy, climate change, dieting, tipping, skiing, chess, and organized pantries. Most recently, the American Psychological Association declared that merit-based hiring may be racist. Even robots are now declared to be part of the supremacist menace because they are often made of white plastic. Indeed, it now appears that both romance and marriage are vehicles for white supremacy. We previously discussed the writings of George Mason Professor Bethany Letiecq on how marriage advances “White, heteropatriarchal supremacy in America.” Nevertheless, the Strings book has met with acclaim and praise from many. Ms. Magazine praised the book as espousing the foundations of romance in “the white supremacist cishetallo patriarchy. Personal, historical, rigorous and readable, this is a fresh and essential feminist analysis on sexism, whiteness and toxic masculinity.” Other reviews note that Strings “challeng[es]readers to accept the end of love as they know it and to embrace more queer and feminist ideas of love, equity and partnership.”
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